Art/Architecture; when exhibitions have more to say than to show
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Roberta Smith | - |
| dc.date.accessioned | 2018-09-12T11:23:10Z | - |
| dc.date.available | 2018-09-12T11:23:10Z | - |
| dc.date.issued | 2003-04-13 | - |
| dc.identifier | HBA803 | - |
| dc.identifier.uri | https://archives.saltresearch.org/handle/123456789/50122 | - |
| dc.description | "How Latitudes Become Forms: Art in a Global Age'' (Walker Art Center in Minneapolis) ve aynı dönemde gerçekleşen New Museum of Contemporary Art Manhattan'daki ''Living Inside the Grid'' sergisi üzerine değerlendirme - Exhibition review on ''How Latitudes Become Forms: Art in a Global Age'' (Walker Art Center in Minneapolis) and ''Living Inside the Grid'' titled show at the New Museum of Contemporary Art in Manhattan which was happening at the same period | - |
| dc.language | İngilizce - English | - |
| dc.rights | Local Access | - |
| dc.source | The New York Times, 13.04.2003 | - |
| dc.title | Art/Architecture; when exhibitions have more to say than to show | - |
| dc.type | Belge - Document | - |
| Collections | How Latitudes Become Forms (2003) | |
Files
| File | Description | Size | Format | |
|---|---|---|---|---|
| HBA803.pdf | 73.73 KB | Adobe PDF |
